Your Write to Live

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Everybody’s got a story to tell. Whether you’re recounting your real life experiences or engaging your imagination as you day dream about fictional characters, we all connect through stories. Storytelling has been around long before the written word and has been a vehicle to illustrate life lessons.

Back in the Hunter Gatherer days, a hunter may have recounted his run in with a deadly boar and lost a limb, so he would gather everyone around the camp fire and tell his story to make a point: “don’t mess with the boar or you get the horns. Now let’s make long pointy things to stab them with so we don’t have to fight bare handed.”

Yes, that’s a true story. To some degree.

Now I’m pretty sure they didn’t talk like that back in the day, but the lesson and experience is universal: mistakes were made and a committment to improvement was made to mitigate any future problems. That’s all stories really do in the end. They reveal human folly, illustrating just how flawed and fallible we are, but also celebrate our capacity to correct course.

Think of your favourite stories. What do they all have in common?

Whether you’re aware of it or not, they all feature a variety of fuck ups made by the main characters, and you got worried about them. You wanted them to achieve their goals, but something got in the way. You related to how they felt when they didn’t get what they want, thus invoking a sense of panic in you to the point where you couldn’t help but turn the page or watch the next episode to find out if they could escape a dreadful situation and come out on top.

Now think even deeper, further beyond the surface situation your favourite characters were confronted with. Think about what their goal was and what it meant to them, what it meant to those around them in their immediate world, and to the entire world at large. Was there a higher purpose to strive for? A moral principle to be uncovered? Some hidden nugget of human knowledge, new or old, that would benefit the growth humanity?


If that sounds too abstract let me give a few brief examples of how there’s so much more beneath the surface when it comes to popular stories:

The Lovely Bones by Alice Sebold is fundamentally about grieving the death of a child, as the story goes, but also serves as an allegory for Alice’s survival as a rape victim herself. She may have survived physically, but mentally, a part of herself died and was reborn into Susie Salmon, the novel’s main character.

Tarzan by Edgar Rice Burroughs is fundamentally about human adaptability. How we are much weaker we are compared to other species, but it’s our wit and human invention that allows us to conquer even the most dangerous of beasts and environments.

Me Before You by Jojo Moyes is fundamentally about self-ownership and personal choice when it comes to suicide. It may have the basic components of a romance novel; boy meets girl, boy can’t stand girl, but will later need girl. But at it’s core, it’s about the difficulties of living with a disability and the moral complications of suicide.


Now before I go on a long winded bender pointing out the deeper meanings of stories and shamelessly advertising my old BSBS Reviews (for those of you who clicked the links per title), here’s the bottom line:

Storytelling is fundamental to the human experience.

The human experience is fundamental to storytelling.

Writing and telling stories is how we validate our experiences in stylized fashion, emphasizing certain details to illustrate a point and engage each other. Stories invoke empathy, inspire action, and challenge our preconceptions of the world.

Consuming a story is basically putting yourself in a state of voluntary vulnerability in order to experience somebody else’s point of view and learn from their trials and tribulations so you can further improve the use of your own thoughts, words, and actions.

And then on the flipside you can tell your story to provide that experience for others.

It’s Our Write to Live.

My Write to Live

blood on paperWhen I was a teenager I had suicidal thoughts, and on some unfortunate occasions, suicidal tendencies. I was bullied by the other kids and wanted to turn to the school staff for help, but most of the teachers I had were authoritarian tyrants or simply uncaring of my well-being. A vice principal I once had talked at me with throwaway advice without taking any time to understand how I truly felt. That same vice principal would later in the year fail to prevent a fist fight I got into, even though I had provided him a ton of evidence it was going to happen. Needless to say, I didn’t have the school staff’s trust because whenever I would defend myself from bullies, I would be the one who would get in trouble and shamed for my behaviour, for my emotions. With nowhere to go and no one to turn to, not even my own family, I felt completely and utterly alone.

Or so I thought.

One of the few things I would find solace in was the music of Korn, along with other angsty nu-metal bands, but Korn was my all time favourite since I was a kid. I related to the raw frustration Jonathan Davis’ lyrics were written with and they inspired me to write some of my own in the same vain. Whether the lyrics were about the bullies I wanted to take down, the girls who rejected me, or the general feeling of emptiness by the end of the school day, I wrote lyrics to release these feelings somewhere safe where I wouldn’t get in trouble or be shamed for my behaviour, or my emotions.

Fast forward to my adult years, there was a time where my life was falling apart far worse than I had experienced in my teen years. To name very few issues I had out of a myriad of others, I was getting into intense fights with my family, had to leave a writing critique group due to fundamental philosophical differences, and worst of all found out that an ex-girlfriend of mine had committed suicide.

It was August 2014, I was unemployed and directionless. I had very little money left from a caregiving job I was severely underpaid for and felt empty. Now having grown up and survived my adolesence, I no longer contemplated suicide, especially considering the tragedy of my ex-girlfriend. I no longer cut myself and no longer imagined myself beating my chest until my heart gave out, but I still felt like my life was meaningless and that I didn’t have much reason to live.

Not until I journaled about everything that has been going on for me at the time. Not until I remembered that I had a half finished 2nd draft of a novel just sitting on my computer left untouched for many months. That novel of course was It Starts at Home, the very same anti-child-abuse themed novel that I had fundamental philosophical differences about with my writing group, likewise with my family, both of which, of course, are stories for another time.

For many months after leaving my writing group, I felt discouraged from ever writing again. But when I got back into it and got on my way to completing the second half of the 2nd draft, those feelings of inadequacy and meaninglessness disappeared. Those feelings of regret over my existence were all gone as well, for I rediscovered the joy and meaning I found in writing this story. Sure I picked myself up, applied for work, and got two jobs I put a ton of passion into, but they could never compare to my true calling. My true calling that I drowned out with the noisy distraction called “work.”

Of course! The answer to the question “what am I gonna do with my life?” has been right in front of me all this time, right under my nose, hiding in plain sight: I need to write.

And I stress the word need because writing is a necessity to my life just as much as blood is. To me there is no difference between the blood that drips through my veins, and the ink I bleed on to the page.

I was born a writer. Even when I was as little as seven years old I would skip school to write stories and draw comic books. I’m in love with stories. Whether they’re acted out in a TV show or film, printed in a book or set of lyrics, stories are what makes my life worth living. Not to mention the stories of our lives as I also find a great interest in the real life stories of those around me. All of our lives on this planet are a bunch of stories complete with their own twists and turns, character development arcs, and crossover narratives.

Stories, in any form, help me feel like I’m not alone. To know that others feel the same way I do about life and the human condition, that makes my habitual confusion and anxiety managable. From the lyrics and books I’ve read, movies and TV shows I’ve watched, all my favourite stories have resonated with me on an emotional level. They put the storm in my head into words and action, sequenced in honely crafted narrative that express the growth of character and the universal human desire to overcome life’s many obstacles.

As a writer, this is what I want to achieve. I want to strike a chord in those who read my lyrics, comfort those who will read my books, and let them know that all these confusing and conflicting emotions are all part of simply being human, and although there is no cure to them, they can be managed and understood.

As a writing coach, this is what I want to inspire in other writers. I want to help other writers, as I’ve painstakingly helped myself, to realize the power they have in putting their innermost vulnerable thoughts into the written word. The power to make readers, like myself, feel a lot less alone when life gets them down and when meaning seems all but lost.

The written word is My Write to Live.

It’s Your Write to Live.