The Very Heart and Soul of Fiction

February 6, 2015February 6, 2015 Marlon6 Comments

Whether your characters live on planet Earth or in a galaxy far far away, all fiction is really about is relationships. Conflicts arise in relationships due to the disagreements people have with each other’s goals and motivations, and the aim for good fiction is to avoid painting these conflicts in black and white.

What makes the most interesting character to character conflicts is when each party is (or believes they’re) right, but their opposition believes their needs and preferences take presedence over them. And I’m not just talking about the basic hero vs. villain dynamic: Hero wants to save the world, Villain wants to destroy it, big whoop.

Readers and viewers of fiction are drawn to moral gray areas because they allow the consumer to make their own decisions about who’s right or wrong according to their own moral code. It gives them the freedom to feel the way they want to about the events, instead of being spoon fed like melodramatic stock characterization so often does.

The Greatest Allies = The Greatest of Enemies

Some of the best conflicts usually happen within the same alliance, as opposed to the standard “my team is better than yours,” spiel. Take the classic example of Professor Xavier and Magneto from the X-Men series, particularly the First Class storyline.

Sure, as seasoned veterans of the mutant war they each have their own teams of mutants on their sides, and are at constant odds with each other on what the fate should be for humanity’s relationship with mutants. But when they were younger men still discovering and developing their own respective abilities, they were friends. Together they formed the first team of X-Men that ended up dividing due to a conflict of interest.

Professor X wanted to train fellow mutants and help them understand their own unique powers, but wants to keep them blended into society, if not hidden from it completely. After all, the world would not have be ready to accept these strange individuals.

Meanwhile, Magneto wanted mutants to embrace their individuality and stand out from the rest of society. That they should be world reknown and a force to be reckoned with if they were met with disgust and indifference. This causes him to rile against a world that initially becomes afraid that such beings exist.

Professor X and Magneto admire each other’s abilities and tenacity, but this clash of values is what creates nearly a century long feud between the two. Yet despite of all the broken bones and epic fights between their factions, along with all the havoc and destruction the common populace has to experience amidst all this…the two can still kick back and have a nice little ol’ game of chess and chill like old times as old timers.

X-Men features a huge cast of different mutants, some more popular than others–

*coughcoughWolverine>Cyclopscoughcough*

and they all have their own ways in which they relate with each other.

How I Met Your Mother By Becoming a Better Friend

However, a personal preference of mine is to keep casts to a smaller number. A handful of characters is all you ever really need to write compelling fiction that’s rich with unique relationships between all individuals. Such is this case with one of my favourite sitcoms How I Met Your Mother.

Here’s a quick and digestable Mind Map I made to outline the value they each offered to the other.

Fiction is Friction

Despite of the value characters can offer to each other, the assisstance in growth is always met with resistance from whom they’re trying to help, either intentionally or unintentionally. The most potent and blatant clash of values in HIMYM is between the hopeless romantic Ted and the womanizer Barney. They’re polar opposites, yet they’re best friends. Why? Because they have a lot to teach each other.

how-i-met-your-mother-season-9-spoilers Barney shows Ted how to have a good time, how to act instead of over thinking everything, and not be so stuck on finding “the one,” which ironically inhibits Ted from having any success. He’s got his head so stuck in the clouds that he needs Barney to pull him down to Earth.

Likewise, Ted teaches Barney the consequences of screwing around with too many women. He shows Barney that true happiness can only derive through monogamy as opposed to an endless string one night stands. Barney’s behaviour derives from a great place of hurt from his childhood and romantic history. Seeing his bestfriend Ted get hurt over and over again, but still have the hope that he could find his true love becomes, much to Barney’s detrement, an inspiration to him.

Ted and Barney undo each other’s illusions by pulling each other out of their extremes so that they can meet somewhere in the middle. But it’s not like they initially accept each other’s differences from the get go. It is usually met with messy and hilarious hijinx.

A Peephole Into Another Reality

Reading or watching a piece of fiction gives us the chance to eavesdrop on some of the most vulnerable exchanges between people. It cuts through the mundane day to day conversations about sports and the weather, and in turn, highlights the challenging and life changing conversations that most people tend to avoid.

We are drawn to stories because we get to sit back as objective and passive participants to watch how these characters maintain or diminish their relationships. Fiction helps illustrate how people from different walks of life can find common ground…or not. All fiction ends with either a resolution between people’s differences or an even wider divide between them.

What are your favourite ensembles of characters?

Do any of their relationships mirror some of your own?

What have you learned about relationships through your consumption of fiction?

How much more interesting can your fiction become if you focused more on character relationships and development instead of crafting a compelling plot?

I would argue that intense focus on character relationships and development CREATE compelling plots. Let me know wat you think!

The Progress Journal

August 20, 2014August 29, 2014 Marlon3 Comments

Have you ever been so consumed by a project that you can’t stop yourself from writing? It’s one of the greatest feelings a writer can have, knowing that you’re tapping into your potential and expressing yourself in the fullest. It mostly happens when you’ve found something you’re passionate about and it’s so important that you need to get it all out of your head and all on the page or it’ll keep you up at night.

Then comes the point where the dreaded Writer’s Block stumps your motivation and creativity. It happens to the best of us. We all lose steam and start slowing down how many words we can write in a minute, and even drop in our daily word count goals. (If you don’t already have a word count goal, you should, and I’ll make a case for its importance in a later post.)

Following in one of the principles taught in The Free Fall Journal, the Progress Journal is the same in that you set a timer for 10-30 minutes and write as much as you can without stopping until the timer is up. The vast difference is a Progress Journal is project specific. So that means focusing on nothing but the project you’re stuck on and why.

If it has been days since you wrote a single word, or you pre-emptively feel a slow down coming on, set 10-30 minutes for free writing about your current project. Even if the first sentence consists of, “I don’t want to write,I don’t want to write, I don’t want to write…” Of course you do, you just need to take the time to explore why you’re not writing.

The purpose of this exercise is to get you into the groove of writing so that when you open up your project, you’ll feel more confident in continuing it. It has been my experience that thanks to keeping a Progress Journal, I have accomplished the following:

Planned the next chapter when I thought I had no idea what had to happen next or why
Discovered the intellectual or emotional reasons why I didn’t want to continue
Got back on track after a TWO MONTH long break from writing
Doubled and sometimes tripled my daily word count
Considered more plot points and character developments for later

I would suggest that the longer the break you’ve taken, or the more doubt you feel, the longer you should set the timer. It doesn’t have to be a full 30 minutes, but set the timer to 30 minutes and keep writing until you feel compelled to hop right onto your project. If you don’t, that’s okay too because as long as you’ve actually written about your project–making plans and obtaining insights on it–you’ll always have the Progress Journal entry to keep vibing off of until you are compelled to continue.

Even if you’re already writing everyday, a 10 minute Progress Journal entry is a sure way to connect with yourself and your project, keeping Writer’s Block at bay for yet another day.

Real Life Application and the Importance of This Exercise:

Keeping a Progress Journal is not exclusive to writing. You can still make one based on any other creative endeavours you have going on like a work or school project. It will help you get your bearings on what you need to do and how to approach it. Even at the personal level, you can use a Progress Journal to keep track on the habits and thought processes that permeate your daily life. What gets tracked can be observed, and having a Progress Journal to refer to can help you determine where you’ve been stuck before and help you avoid similar mistakes by recognizing how you got past hurdles before.

Do you have other motivation maintaining tips? Feel free to comment below and share the energy!

Crafting a Character Part 3: A Better Tomorrow

July 28, 2014November 16, 2017 Marlon2 Comments

We’ve taken a look at how our present lives are defined by our pasts, and to come full circle, we will delve into breaking the shackles of history and achieving freedom in the future.

As always, characters are driven by Goal, Motivation, and Conflict. All three keys play an important part into unlocking the potential that resides in all of us, fictional and real people alike. Here is how GMC is considered in a character profile:

The First Day of the Rest of Your Life

Main Desire:

Desires drive all action, purpose, and intention. Having a clear understanding of your desires is fundamental to understanding what steps you need to take toward leading a fulfilling life, as well as providing value to the rest of the world.

Even if your initial desire is what propels you into action, the desire may change over time or evolve to something else based on how much you want to achieve. Sometimes you do get what you want and realize you desire so much more than you ever realized.

Such is the case for Morgan from #16Things I Thought Were True by Janet Gurtler. After her mother suffers a heart attack, Morgan gathers the courage and tenacity to ask about the biological father that was absent throughout her childhood.

At the start of the story, Morgan sets out to gain 5000 Twitter followers, while having 0 friends in the physical world because she feels alienated after having an embarassing video of her dancing in boy’s underwear going viral.

Due to certain circumstances, Morgan is forced to allow two of her co-workers, Adam and Amy, to accompany her on a road trip to seek out her biological father.

Although confronting him is her initial desire (as well as amassing a ton of Twitter followers), Morgan develops a bond with Adam and Amy; two co-workers she had barely liked or understood at a personal level before their heart warming–and sometimes gut wrenching–road trip together. Her true desire all along had been garnering connectivity, and it didn’t have to come from her long lost father.

What are your main desires? Have you achieved them only to realize there was something more meaningful out there? What steps are you taking today in order to achieve these goals in the future?

Major Strength:

Another important aspect of characterization is having strengths that contrast a character’s vulnerabilities. Many protagonists are victims of circumstance which drives us to sympathize with them, but in order for us to even want to root for them, they need to have major strengths that can help make them more appealing.

In the hit series How I Met Your Mother, Ted Mosby goes on a seemingly unending search for his soul mate. He starts off as a desperate lovelorn who just can’t catch a break because his desire often becomes a part of his major flaws. Having this desire starts off as a way to avoid himself and have him develop the mentality that he is nothing without somebody to love.

However, throughout the course of this dramatic rom-com, we learn that he has a big heart and he’s deeply invested in his friends. The love that he provides for them transforms into love for himself and discovering his own value as an individual before meeting The Mother/Tracy McConnell.

Ted Mosby’s strength is his ability to love and his hopeful spirit, but it took transmuting it for himself and for what he already had in order to achieve his goal; meeting a woman who more or less resembles a combination of all his friends.

What are your major strengths? How do they play a role in helping you achieve your desires?

Perpetual Passion and Main Mission:

The mark of a strong character is intertwining their personal desires with their major strength in order to contribute something to the world at large. People who want to make a difference in the world, or at least in their immediate world (interpersonal relationships), are always challenged by people who want to keep things the same and not improve the state of the world.

Having a mission and commiting to it is admirable because it’s the ultimate test of character to offer your gift to the world, despite of its initial reluctance to accept it–when ironically, the world may so desperately be in need of your gift.

dark-knight-rises-batman — Photo Credit: http://www.playmakeronline.com

Batman, despite all his violent brutality serves as a good example for a character rooted in their principles. He’s committed to fighting injustice, but will never ever kill criminals.

He believes anybody can be redeemed and sees the possible good in others all despite of the hatred he has for his parents’ murderer (which changes depending on which reiteration of the Batman story you read, watch, or play).

I could just as easily use a character who embodies the purist level of virtue, but I think Batman serves as the best example because he’s still fundamentally flawed being so addicted to enacting violence, and only stopping short of actual murder. It’s debatable whether or not he creates more villains than he puts away, but one thing is for sure: he is committed to his perpetual passion for fighting crime as his main mission.

What are you passionate about? What’s your main mission? What mark do you want to leave in the world and why do you think it’s important?

Crafting a Character Part 2: It’s All in the Past

July 27, 2014July 28, 2014 Marlon2 Comments

In the previous installment of the Crafting a Character series, we took a look at how characters think and behave in the present. What usually shapes those behaviours and attitudes is their past.

Backstory is the cornerstone of all character development because it’s in the past where almost the entire identity of a person is formed. Whether you’re creating the backstory of a character, or looking at your own history, the past has a ton of answers for your questions about the present and the future.

Why Can’t You Just Let It Go?

Main Shaping and Influencing Incidents:

Usually in childhood, but not always, we’ve all had significant moments in our lives where our views of the world and of ourselves were changed forever. These incidents range from being tragic, comical, or inspiring. Either way, discovering the life changing events in your own life, or creating one for your character, can drastically improve your understanding of what may drive a person to behave the way they do in the present.

In a classic episode of The Simpsons, the family wants to go on vacation, but when their plane is about to take off, the family learns that Marge has a fear of flying. “Let me off the plane,” she says and then starts pacing down the aisle back and forth.

“Let me off! Let me off! Let me off!”

Marge starts going to therapy and at the end of the episode, she uncovers childhood memories she must have locked away for years.

She recalls thinking that her father was a pilot, and child Marge follows him into a plane to find out that he was a stewardess–which was a rare occupation for men in the 60’s–and the embarassment of her father working a woman’s job apparently traumatizes her into having a fear of flying.

There were a few more adverse memories she recalled, and those were the ones that seemed more logical in explaining why she had the fear, but I won’t go into detail about them here. Just watch the episode, it’s hilarious!

Can you recall any traumatic events that have fundamentally wounded you for life? Or do you have any memories of being significantly inspired by someone that motivate you to this day? How have any of these influencing incidents impacted the way you behave in your present life?

Relationship With the Family:

Your family is your first experience of what it’s like to be in a social circle, particularly in your formative years. The way you relate and interact with your extended family helps you develop the social skills (or lack thereof) that which you bring in to the rest of society, be it at school, post-secondary education, work, and the market place.

More importantly, your parents’ marriage vastly influences your ideas of love, marriage, and friendship. And depending on the bond you have with your parents–whether it’s strong, weak, or non existant–you’re automatically subjugated to either replicating or replacing your experience of them.

photocredit: http://www.wallpaperpanda.com

The nameless narrator in Fight Club by Chuck Palahniuk grew up, for the most part, without a father. So when he befriends the wise and witty renegade Tyler Duren, he looks up to him as a father figure.

When they start living together, Tyler gets into a sexual relationship with Marla Singer, a woman the nameless narrator met at a bunch of support groups. This becomes a recreation of the narrator’s childhood in that he never sees Tyler and Marla in the same room together, and becomes the middleman of their interactions–thus recreating his experience with his parents before they got divorced.

Furthermore, the underground Fight Club would not be possible had its members had their fathers around, or meaningful bonds with them if they were around for their childhoods. It’s well established among psychological circles that fatherlessness causes a variety of societal and psychological problems.

What template for romance have your parents imprinted for you? What relationship do you have with your extended family? How have these affected your mode of interaction with the rest of society?

Where They Grew Up:

From your country of origin, to your economic status growing up, and your childhood home, where you grew up also greatly defines how you’ll fit in to the rest of society.

In West Philadelphia, born and raised, is where the Fresh Prince spent most of his days. But as you know by the title sequence theme song, he got in one little fight and his mom got scared, so he moved in with his uncle and auntie in Bel-Air.

What made this sitcom so great was how Will Smith’s care free and eccentric hood mentality clashed with the prestigious and more “dignified” culture of upper class Los Angeles.

This made for an interesting conflict with Will trying to behave in a way that was acceptable to the culture, while also staying true to himself. Though, the funniest parts of Fresh Prince for me was when he was free to be himself around rich and pretigious people, and they welcomed him with open arms, thus showing that cultural division can be torn down if both parties are willing to be friendly.

Are your current living conditions different from how you grew up? If so, what has this contrast done for your sense of identity? If not, was it a conscious choice to remain comfortable with the familiar or do you intend on breaking the cultural barrier?

Stay tuned for Crafting a Character Part 3: A Better Tomorrow

Crafting a Character Part 1: In the Now

July 26, 2014July 28, 2014 Marlon2 Comments

As I mentioned in my post about Goal, Motivation, Conflict, character is the most rudimentary ingredient in fiction.

From the writing guide Revision & Self Editing by James Scott Bell, I’ll be hand selecting three fundamental considerations for every post in my Crafting a Character series. For the purpose of self-knowledge, you could also create a character sketch of yourself and dig into the following concepts to obtain a goldmine of introspection.

I am More Than Just an A/S/L!

The typical character sketch would include the age, sex, language, and other physical traits of a person. If you want to run deeper than a basic police profile, consider the following.

Point of Vulnerability:

Knowing your character’s point of vulnerability can vastly shape your entire story. Figure out what their personal pitfalls are, what triggers their frustration the most. It will be one of the greatest deciding factors in what they will react to and how.

photocredit: http://backtothefuture.wikia.com

From Back to the Future, Marty McFly’s point of vulnerability is his sense of courage. No matter what era Marty finds himself in throughout the epic trilogy, he often walks away from a challenge until Biff Tannen (or his ancestor) asks, “what’s the matter, [are] you chicken?”

Our spunky, time traveling hero turns around and responds with “nobody calls me chicken!” This point of vulnerability causes Marty to never backdown to almost every challenge presented by this long running lineage of bullies. It often gets him into more trouble as opposed to escaping it.

At the end of the epic trilogy, Marty learns to feel secure with his integrity, thus knowing when to back down from a needless challenge. Although this test of bravery had served him well for the first half of the series, this point of vulnerability and how he deals with it is revealed for what it is; an ego trip designed to make him feel brave, while costing him progression toward his more important goals.

What’s your point of vulnerability? What kinds of challenges do you receive relevant to it, and how do you react to them?

Physical appearance and how they feel about it:

Physical appearance only describes how a person looks, but what’s more important than this basic fact is how they feel about it.

In Skinny by Donna Cooner, an obese high school senior named Ever is tormented by the whisperings of “Skinny,” a voice in her head who constantly berates her about her weight.

When Ever breaks the chair she’s sitting on at a school assembly, she decides that enough is enough. She goes under gastral bypass surgery to help control her food intake, as well as start an exercice regimen that helps her expand her self confidence by shrinking her waistline.

Even people of average or beyond average attractiveness can have issues with their physical appearance. (For the sake of argument, let’s just say there is an objective standard for beauty, even though it’s usually in the eye of the beholder.)

For instance; Perfect by Natasha Friend features a dynamic duo of 13 year old girls that have bulimia. Since the death of her father, the protagonist Isabelle developed the habit of binging on a ton of food and purging it right out.

Isabelle joins a bulimia outreach group where she is surprised to find Ashley Barnum there, the popular and pretty girl at school. She is shocked to discover that the girl she once revered as picture perfect also has body issues, even though both girls are actually skinny. In fact, if Ever encountered these girls, she’d be repulsed by their skinniness and eating disorder.

How do you feel about your physical appearance? Have you updated your wardrobe extensively, started working out, or are you simply secure with it? What role has it played in your life?

What Others Think:

photocredit: http://www.illustrationsource.com

The old addage, “you shouldn’t care too much about what others think,” is coupled with the cliche of “it’s easier said than done.” To some degree, we all concern ourselves with how others perceive us, whether extensively or minimally.

The Evolution of Bruno Little More by Benjamin Hale follows the story of the world’s first English speaking chimpanzee. In Bruno’s memoir, he details his struggles between civilizing himself among humanity and keeping true to his primitive roots.

The more self aware he becomes, the more he begins to worry about how others perceive him. Since a ridiculous standard is forced upon him, being the first talking chimp and all, it becomes increasingly difficult to contain his baser urges while maintaing the eloquent and intelligent personality he has developed since acquiring language.

When our self perception clashes with what others think of us, it creates a divide between staying true to ourselves or conforming to the crowd–or in some masterfully crafted instances, finding a middle ground.

How much do you concern yourself with external opinions? Has it caused you to change your behaviour or have you developed any habits that help ward off the temptation to please others?

Stick around for…

Crafting a Character Part 2: It’s All in the Past

Crafting a Character Part 3: A Better Tomorrow

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