Therapeutic Journaling Part 6: The Progress Journal

So we’ve been digging in pretty deep into our psyches with the last few posts on journaling. From part two’s focus on chronological journaling and part four’s focus on your Internal Family System, and not to mention a surprise hit entry on Shadow Journaling—I think it’s time to take it a little easier on ourselves today and focus on goal setting.

While I do think it’s important for us to contend with our shadow side and work out the worries of the day in a journal, we can’t always be digging that deep and getting that emotional because that could be very taxing. In fact, although I am a big proponent to expressing your darkest deepest feelings as earnestly as possible, there can be a point where it can be a bit excessive and you can become too identified with your problems as opposed to having them shed on the page.

To reverse that, we also need to learn how to write Progress Journals to keep track of our goals and ambitions. This can range from your progress in therapy, your progress in your novel, or anything else that you’re working on in life to give yourself a moment to take stock of your life thus far, especially when you feel stuck.

Even if you’re not feeling stuck, it’s even more beneficial to focus on your progress because if you’re not inhibited by any emotional weight holding you down, you can propel that much further in your goals by continuing to take stock anyway.

So why should you write a progress journal and how do you even do it?

What You Measure Grows

If you approach your life like it’s a game you start to notice just how much the quality of our lives are based on “high scores” in different aspects of our lives. How much money do we have in the bank? How many reps can we lift x amount of lbs of a dumbbell? How many words can we write a day?

It is important to jot down these numbers because then you could compare and contrast them throughout the weeks to see how you’re faring in a specific goal. So let’s take writing for instance. Say your goal is to write somewhere between 500-2000 words a day. If you have a word count tracker where you mark each date and total word count for that day, you can keep a tally of how well you do throughout the week.

(Keep your eyes peeled for a future post on Word Count Goals as I will share my own Word Count Tracker and how I use it.)

Some days you’ll be under par and some days you’ll be over par, and in a different section of your Word Count Tracker, you can even briefly mention how and why your word count was a certain way. This doesn’t necessarily mean that being under the word count is bad, rather maybe other things came up that day, and that is something you can mention in a Progress Journal

The whole point of a Progress Journal is to have an open, honest, and earnest conversation with yourself about how far you’ve come in the project, and what you have left to do. It even doubles as a perfect pre-writing warm up exercise because you get yourself thinking about your novel at the bird’s eye view rather than being honed in on the story at ground level. Sometimes it helps to get that broader perspective before you pan the camera down to where the novel focuses.

So keep track of your scores for everything in your life and write entries about how and why you were able to achieve so much or so little in the day. If you score low, it’s not about blaming external circumstances for getting in the way of your goals, rather it’s taking accountability over how you allowed external circumstances for getting in the way of your goals.

I get that a lot of us lead busy lives, but if writing truly is our lifestyle as we believe it is here at Your Write to Live, then we should always make the time to write. Much like anything else in life, it’s not that we don’t have time for certain things, rather we don’t make time for them unless we find them all that more important above everything else. And when it comes to self care and mental health, they damn well better be more important above everything else or everything else begins to fall apart if we’re not well taken care of.

But I digress!

The Progress Journal Manual

My Progress Journals before every writing session were always recapping what I’ve written the day before, or the session before if I have more than one that day, and meditating on what I have left yet to write. Sometimes I’d be focused on shifting my mindset toward being positive, and if I had that inherently intact for a day, then the fun begins where I’ve focused a lot on working out my ideas. This same approach can apply to other things too aside from writing. Even something like weight lifting or any other form of exercise you want to do on a daily basis, you can reflect on what kinds of thoughts and feelings arise as you’ve approached your goal for that day.

Sticking to the example of writing, though—since this is Your Write to Live, not Your Write to…Lift?—you could just as easily write about your perceived Writer’s Block. Doing so is what made me come up with the Shadow Journal in the first place, actually. I would get so deep into my head about why I have all this resistance toward doing something I know that I love, but can’t bring myself to do. It was no longer about the book itself, but myself, and how I have to contend with my own shadow almost every time only to realize that after each session, I come out stronger and smarter than I ever thought possible.

While it is best that you know how to regulate your own motivation for writing, there is no shame in asking for help and that’s why I’m happy to announce that I will be offering Writing Coaching services later in the year so I can help other writers cultivate healthy writing habits of their own that suit them, as well as provide a sounding board for their ideas.

Whether you can’t afford writing coaching services or simply want to do it alone, though, Progress Journaling is the next best alternative to keeping yourself in check and bouncing your ideas around to see if they are sound. You can even join writing forums online or a critique group in person, but I believe that the less people there are and the more intimate the experience is, the more value you can get from reflecting on your progress.

So if you’ve got a grip on the whole mental and emotional aspect of writing, then you get to have a whole lot of fun simply writing about your ideas for your current chapter. Progress Journaling is also a less structured way of outlining, though outlining chapter and GMC graphs are still important, and can lend you more freedom to write and retract some of your ideas as you write them.

Often times you will find yourself writing about a particular idea and realizing it sounds dumb out loud or doesn’t even getting used in the end anyway. Which then makes room for the good ideas you’ve been waiting for, and that’s the thing about ideas which I’ll write about next week: the fact that generating ideas is a muscle you need to exercise. The more you do it, the better you get at them.

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The Four Pillars of Fiction Part 2: Characters

Your story’s objective is only as powerful as the characters that convey it.

Each member of the cast must represent opposing sides of the main argument, thus providing several different angles to perceive your story’s philosophy.

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I’ve already written a couple of other posts about characters, both of which you can check out here for more:

Crafting a Character Series

Goal, Motivation, and Conflict

–but for today, let’s focus on why characters  should be as extensively explored as I have in previous posts.

Me, Myself, and Who Am I?

Fundamentally, every story’s main character is on a quest to achieve self-knowledge. This goes for both putty characters and pebble characters. Think of throwing a pebble at a wall, the physical structure of the pebble remains the same, whereas throwing a blob of putty will cause it to reform.

That’s what characters experience; being thrown against a wall, so to speak, and they either change or don’t change throughout the course of your story. Either way, their purpose remains the same; to argue for one or several sides of the objective.

I know that there’s a plethora of stories where morality is ambiguous (and that they’re usually much more interesting), but for the sake of simplicity, let’s take the basic concept of Good vs Evil to illustrate how characters argue for each side. And by argue, that could mean verbal or physical combat, or in just the way that they conduct themselves.

Generic Good Guy is a law abiding citizen, doing some good for his friends, family, and community. Everything he does in the story is for the benefit of others or for himself without hurting anybody except possibly…

The Typical Bad Guy whose sole purpose is to watch the world burn. He causes destruction everywhere he goes, expressing his preference to be evil and not care about hurting others because it’s what he intends anyway. Generic Good Guy may hurt other people unintentionally, but he usually owns up to it, while Typical Bad Guy has no remorse for the pain he causes.

In this basic story dynamic of Good vs Evil, the argument is (usually) that good triumphs over evil, all the time.

chess_good_vs_evil_by_thewhysoserious91-d5tm81c

Who Would You Be Without Adversity?

To convey this, Typical Bad Guy will have to test Generic Good Guy on the grounds of his ethics, philosophy, strength, and integrity by throwing obstacles in his way. Perhaps Generic Good Guy’s objective is to a safe and adjusted life, but TBG is getting in the way of that by hurting GGG’s social circle and disrupting his day to day life.

It is through adversity where Generic Good Guy will discover or grow into a force for good. If he’s a putty character, maybe he’s a weak underdog type who has to train in order to defeat the almight Typical Bad Guy. Or perhaps he’s a pebble character that has strength and prowess, but hasn’t had the chance to exercise any of it because he hasn’t been challenged yet.

In either case, the end result is the same. The character has developed some level of self-knowledge by fighting for what he believed in, whether he won or lost against his opposition. He now knows what strength he’s capable of, or made himself capable of it through hard work and determination.

Pouring Some Sugar in Generic Brand Oatmeal

Now, that was a very very basic example I had to keep simple in order to elaborate on a more complex concept. Stories these days have many more layers in their examination of the objective, and even more layers in their characterization.

Ultimately, characters are meant to represent several sides of an objective, and they do that by trying to express their personal preferences, only to have them attacked or dismissed by the other characters.

The key ingredient to conveying Objective is having characters disagree with each other and fight over who gets to assert their preference, or if any common ground can be met between them in less black and white type of stories.It is through disagreements between characters that we are given the opportunity to passively experience different sides of an argument–and decide for ourselves which characters we agree with, if any at all.

Stay tuned for The Four Pillars of Fiction Part 3: Setting…

The Four Pillars of Fiction Part 1: PLOT

You may be familiar with this basic outline of what a plot graph looks like, and it is nice for writing a basic outline for a story.

Basic Plot

However, this is just a skeleton and we should add some layers to give it some flesh and bone.

What Plot Stands For:

People
Location
Objective
Tenacity

Just like The Four Pillars of Fiction, these are The Four Pillars of Plot that uphold the structure. You need people in a location with an objective to tell a story, along with some tenacity to make that story worth telling.

Fundamentally, you need characters to exist in a physical space in which to act out their drama, and drama only unfolds because these characters have conflicting goals and motivations that prevent each other from getting what they want.

Objective

They may either deliberately want to prevent each other from achieving their goals–as is the case with the simple black and white, good guy vs bad guy stories–or they may even be of the same alliance with differing opinions and preferences that get in the way of them finding unity.

When it comes to your plot’s objective, what kind of message do you want to convey about the world? Is there an aspect of reality you want to capture and illustrate? Is there an ideal version of the world and human behaviour you want to propose? What is it that you want to say about our state as a species?

That is your Objective.

Creators of art, whether they’re conscious of it or not, will always end up injecting their personal philosophy into their work and use it as a tool to convey the different angles in which they perceive people and the world at lage.

There’s no way around it, characters will always have an objective, whether miniscule or grand, they want to accomplish something. Even a story about a guy who just lies around his apartment all day has the objective of…wanting to do nothing and there are some deep rooted reasons beyond “because he just wants to.”

Maybe he’s depressed and doesn’t want to go out, or he’s been out too much and he needs time to himself? Objective in stories are inescapable.

So to add that layer to our basic plot graph skeleton, it should look like this:

Plot With Objective

Tenacity

But that’s still not enough. A story needs Tenacity. Some high (or sometimes low) stakes to keep you at the edge of your seat, biting your nails, waiting to see what happens next.

The rule in life applies to fiction as well: no risk, no reward. The characters need to be at risk of losing something or we won’t be interested in them striving for anything. Surely, there are stories that are risk and conflict free, but with risk comes curiousity. Without risk and conflict, there really is nothing to be gained from it.

We want to be wondering how characters will survive dire situations because we consume fiction to not only root for these portrayals of the human ideal, but also to live vicariously through them. It’s through stories where we can safely experience what it’s like for someone to commit to their Objective and have the Tenacity to achieve it.

Compare these two stories:

“I went to work, did my job because I wanted to make money, and then I came home.”

vs. “I went to work hungover, it was very busy, I could have called in sick, but I need to make rent so I can lie around my apartment all day.”

What’s the fundamental difference between these stories? They both have goals and motivations, but the second one has conflict that requires some overcoming. That’s what we relate to when we experience stories.

This is what a true plot graph would look like with my full PLOT system in place:Plot With Tenacity

I’ll let the graph speak for itself, for there’s much much more to cover in the next three entries.

Let me know if you would like for me to elaborate on any of the additions made in this chart, and I’ll gladly save the exploration of them in a future post.

Stay tuned for The Four Pillars of Fiction Part 2: Characters…

 

The Progress Journal

Have you ever been so consumed by a project that you can’t stop yourself from writing? It’s one of the greatest feelings a writer can have, knowing that you’re tapping into your potential and expressing yourself in the fullest. It mostly happens when you’ve found something you’re passionate about and it’s so important that you need to get it all out of your head and all on the page or it’ll keep you up at night.

medium_Writers_Block_ComicThen comes the point where the dreaded Writer’s Block stumps your motivation and creativity. It happens to the best of us. We all lose steam and start slowing down how many words we can write in a minute, and even drop in our daily word count goals. (If you don’t already have a word count goal, you should, and I’ll make a case for its importance in a later post.)

Following in one of the principles taught in The Free Fall Journal, the Progress Journal is the same in that you set a timer for 10-30 minutes and write as much as you can without stopping until the timer is up. The vast difference is a Progress Journal is project specific. So that means focusing on nothing but the project you’re stuck on and why.

If it has been days since you wrote a single word, or you pre-emptively feel a slow down coming on, set 10-30 minutes for free writing about your current project. Even if the first sentence consists of, “I don’t want to write,I don’t want to write, I don’t want to write…” Of course you do, you just need to take the time to explore why you’re not writing.

The purpose of this exercise is to get you into the groove of writing so that when you open up your project, you’ll feel more confident in continuing it. It has been my experience that thanks to keeping a Progress Journal, I have accomplished the following:

  • Planned the next chapter when I thought I had no idea what had to happen next or why
  • Discovered the intellectual or emotional reasons why I didn’t want to continue
  • Got back on track after a TWO MONTH long break from writing
  • Doubled and sometimes tripled my daily word count
  • Considered more plot points and character developments for later

I would suggest that the longer the break you’ve taken, or the more doubt you feel, the longer you should set the timer. It doesn’t have to be a full 30 minutes, but set the timer to 30 minutes and keep writing until you feel compelled to hop right onto your project. If you don’t, that’s okay too because as long as you’ve actually written about your project–making plans and obtaining insights on it–you’ll always have the Progress Journal entry to keep vibing off of until you are compelled to continue.

Even if you’re already writing everyday, a 10 minute Progress Journal entry is a sure way to connect with yourself and your project, keeping Writer’s Block at bay for yet another day.

Real Life Application and the Importance of This Exercise:

Keeping a Progress Journal is not exclusive to writing. You can still make one based on any other creative endeavours you have going on like a work or school project. It will help you get your bearings on what you need to do and how to approach it. Even at the personal level, you can use a Progress Journal to keep track on the habits and thought processes that permeate your daily life. What gets tracked can be observed, and having a Progress Journal to refer to can help you determine where you’ve been stuck before and help you avoid similar mistakes by recognizing how you got past hurdles before.

Do you have other motivation maintaining tips? Feel free to comment below and share the energy!

Crafting a Character Part 3: A Better Tomorrow

photocredit: http://www.gorampup.com
photocredit: http://www.gorampup.com

We’ve taken a look at how our present lives are defined by our pasts, and to come full circle, we will delve into breaking the shackles of history and achieving freedom in the future.

As always, characters are driven by Goal, Motivation, and Conflict. All three keys play an important part into unlocking the potential that resides in all of us, fictional and real people alike. Here is how GMC is considered in a character profile:

The First Day of the Rest of Your Life

Main Desire: 

Desires drive all action, purpose, and intention. Having a clear understanding of your desires is fundamental to understanding what steps you need to take toward leading a fulfilling life, as well as providing value to the rest of the world.

Even if your initial desire is what propels you into action, the desire may change over time or evolve to something else based on how much you want to achieve. Sometimes you do get what you want and realize you desire so much more than you ever realized.

#16thingsithoughtweretrueSuch is the case for Morgan from #16Things I Thought Were True by Janet Gurtler. After her mother suffers a heart attack, Morgan gathers the courage and tenacity to ask about the biological father that was absent throughout her childhood.

At the start of the story, Morgan sets out to gain 5000 Twitter followers, while having 0 friends in the physical world because she feels alienated after having an embarassing video of her dancing in boy’s underwear going viral.

Due to certain circumstances, Morgan is forced to allow two of her co-workers, Adam and Amy, to accompany her on a road trip to seek out her biological father.

Although confronting him is her initial desire (as well as amassing a ton of Twitter followers), Morgan develops a bond with Adam and Amy; two co-workers she had barely liked or understood at a personal level before their heart warming–and sometimes gut wrenching–road trip together. Her true desire all along had been garnering connectivity, and it didn’t have to come from her long lost father.

What are your main desires? Have you achieved them only to realize there was something more meaningful out there? What steps are you taking today in order to achieve these goals in the future?

Major Strength:

Another important aspect of characterization is having strengths that contrast a character’s vulnerabilities. Many protagonists are victims of circumstance which drives us to sympathize with them, but in order for us to even want to root for them, they need to have major strengths that can help make them more appealing.

photocredit: http://images.idiva.com/
photocredit: http://images.idiva.com/

In the hit series How I Met Your Mother, Ted Mosby goes on a seemingly unending search for his soul mate. He starts off as a desperate lovelorn who just can’t catch a break because his desire often becomes a part of his major flaws.  Having this desire starts off as a way to avoid himself and have him develop the mentality that he is nothing without somebody to love.

However, throughout the course of this dramatic rom-com, we learn that he has a big heart and he’s deeply invested in his friends. The love that he provides for them transforms into love for himself and discovering his own value as an individual before meeting The Mother/Tracy McConnell.

Ted Mosby’s strength is his ability to love and his hopeful spirit, but it took transmuting it for himself and for what he already had in order to achieve his goal; meeting a woman who more or less resembles a combination of all his friends.

What are your major strengths? How do they play a role in helping you achieve your desires? 

Perpetual Passion and Main Mission:

The mark of a strong character is intertwining their personal desires with their major strength in order to contribute something to the world at large. People who want to make a difference in the world, or at least in their immediate world (interpersonal relationships), are always challenged by people who want to keep things the same and not improve the state of the world.

Having a mission and commiting to it is admirable because it’s the ultimate test of character to offer your gift to the world, despite of its initial reluctance to accept it–when ironically, the world may so desperately be in need of your gift.

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Photo Credit: http://www.playmakeronline.com

Batman, despite all his violent brutality serves as a good example for a character rooted in their principles. He’s committed to fighting injustice, but will never ever kill criminals.

He believes anybody can be redeemed and sees the possible good in others all despite of the hatred he has for his parents’ murderer (which changes depending on which reiteration of the Batman story you read, watch, or play).

I could just as easily use a character who embodies the purist level of virtue, but I think Batman serves as the best example because he’s still fundamentally flawed being so addicted to enacting violence, and only stopping short of actual murder. It’s debatable whether or not he creates more villains than he puts away, but one thing is for sure: he is committed to his perpetual passion for fighting crime as his main mission.

What are you passionate about? What’s your main mission? What mark do you want to leave in the world and why do you think it’s important?