Most writers could attest to associating small talk with pulling teeth (or any other painful experience). This is because we as writers are attuned to the sole fact that good stories are jam packed with meaningful and life changing conversations between characters. The kinds of conversations people rarely have in real life, but if were to summon the courage and honesty they require, their lives could also be drastically changed.
In turn, this is one of the biggest reasons why I think people gravitate toward fiction. The Very Heart and Soul of Fiction is the relationships between characters and readers love to live vicariously through them to experience what it’s like to speak from the bottom their hearts.
So it’s no wonder that small talk in fiction and in real life are painfully boring to sit through. Imagine the following passage to be from a novel and then tell me if you would keep on reading.
“Hey, how have you been?” Martin asked.
“I’ve been okay,” Sonya replied. “How about you?”
“I’ve been good.”
“That’s good. What did you do today?”
“I just worked and studied, how about you?”
Now normally I think such a conversation in real life and in fiction would be incredibly boring, but I’ve come to step down from my high horse of the Meaningful Conversations Only or Go Away mentality and have come to understand the importance of small talk. And yes it actually is important.
Why you ask?
It’s because small talk is how we gauge each other’s level of engagement with life and with others. When people talk to each other, what’s more important than what they talk about is how they talk to each other. Or put more succinctly, how they can make each other feel as they talk.
So my proposal is that if you have a work in progress that has a scene you fear might suffer from too much small talk, here are some ways you can beef it up to make it interesting:
1. Add Meaningful Action
“Hey, how have you been?” Martin asked offering his hand to shake.
2. Add Meaningful Re-Action
“I’ve been okay,” Sonya replied, resting her hand in Martin’s. “How about you?”
“I’ve been good, too.” Martin stroked the back of Sonya’s soft hand with his thumb.
3. Add Context and Tension
It has been a few days since they last spoke. Even though Martin and Sonya had only met a couple weeks ago, speaking every night and day for two weeks straight–only to suddenly and have weekend of non-existant correspondance felt like an eternity for them.
Martin and Sonya, at this moment, both felt the urge to note the individual voids they respectively felt over the weekend without each other. But Martin did not want to come across as too desperate for her affections, while Sonya held her tongue back because she had been taught by her parents to not be too inviting toward men.
And so an awkward, yet comforting silence passed as they held hands and stared into each other’s eyes.
4. Express Emotions Through Action
“That’s good.” Sonya wiggled her hand free from Martin’s grip and giggled. She pursed her lips and looked away. “What did you do today?”
Martin scratched the back of his head and looked around, pretending to be curious as to what caught Sonya’s eye. “I just worked and studied,” he said. He clenched his fists and bit his lip a bit, shoulders rising to his neck.
5. Add Suspsense
Sonya watched as Martin’s eyes darted around the room. His normally calm demeanour had transformed into a jittering mess of ticks and stutters today. A part of her worried what could possibly be wrong with him. Did she say something wrong the last time they spoke? Did something happen to him? Or is he actually a strange and unstable man and that she should find a way to get away from him immediately.
As she continued to stare at him as if he was having a stroke, Martin fought the urge to mention that he’s been thinking about her all day. No matter how much he had invested his time and energy on his job and on his studies, Sonya came to mind, and he wishes he could just tell her that mere fact.
Martin cleared his throat. “How about you?” He finally asked, trying to ignore how bland and boring it was to say that all he did was work and study.
“Me too,” Sonya said, grabbing his trembling hand.
Well I hope you enjoyed my cheesy attempt at writing a romantic scene between star crossed lovers (never have I ever claimed that romance was my forte)!
Let’s recap why this scene was so much better by adding these five ingredients.
Meaningful action adds to small talk to show that what is not being said is more important than what is being said. A meaningful reaction from the other character(s) will show the level of their awareness toward the current vibe and situation. Adding context and tension will make some of the discomfort more bearable to the reader because then their curiousity will be piqued about why small talk between these characters is so much more uncomfortable than everyday small talk.
Once all these things have been established, you have the opportunity to express each character’s emotions through the non-verbal cues they provide to each other and to your readers. This makes them more susceptible to holding their breath and wanting to know how it will all turn out if you also add suspense to see if the discomfort will dissipate or detonate.
So that is how you make small talk in fiction more interesting.
As for real life?
I have no damn clue.
2 thoughts on “How to Make Small Talk (In Fiction) Interesting”
Reblogged this on DSM Publications and commented:
Check out this great post from the Your Write to Live blog on how to make small talk in fiction interesting.
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